Monday, June 19, 2006

Radical champs

just my two cents worth of the new radical wimps album that has been circulating around.

Wat can i say...

their really quite radical in their ways...in terms of vocals, instrumentalization and song genres.

Why?

Vocals....Noda yojiro...vocals and guitar. have u not heard him? I still can't give an apt description of his vocal quality. It's nasal and plaintive at times, but the next moment it can be a caterwauling rock concert like squall. and he transits between the various range of timbre and pitches rather successfully without any glitches. But to be honest i prefer it when he sings more ballad like songs such as kome no senshokuta. Some songs that really exemplify this versatility - Hekkushun and Tonde hi ni Nairu natsu. Of the two the one that has made it to my favourite list is Hekkushun. Get a taste of his really quite perfect english in that one as well as a rather interesting transition between choir boy simpering to angst ridden rock brat from 3.19 onwards.
Instrumentalization .... the guitar plays a vital role in their entire get up. To be honest its in their more ballady and soulful songs that u get a taste of the slightly more brillantly orchestrated pieces. or maybe its just because it their rowdier and more rock songs i can't get a grip of the variety. Anyhows...listen to Hotaru, and pay attention to the solo around 3.19 ( seems like the interesting stuff occurs at this point ne?) the accompaniment to that is a xylophone of sorts. Why do I point that out? Well, to be honest, to me it's kinda rare hearing a xylophone in such a prominent role. Anyone who's played a xylophone noes wats bitches they can be. Hitting the right note, getting the right amount of wrist action and being on time is quite somehting, and to put it with a solo voice as solo acompaniment is a risky action which at the same time demonstrates the percussionist skill... unlesss....it's all done with a synthesizer...which ain't too hard to imagine in this day and age. oh welll...but it's still an interesting combi.

Another song that shows a nice blend of orchestration would be Saigo no uta ( my fave! ) that's where they employ the usage of orchestral strings along with a blend of rock faves, electric guitar drums... good going, that brought an extra pizzazz to the ballad.


Song genres .... Just listen to the album. Rock, pop, rap, R&B, soul, ballads....perfect cocktail for someone who has as short an attention span as moi.


Saigo no uta
....


Lyrics: Noda Youjirou Music: Noda Youjirou

Modora nai kinou-tachi hontou ni ne
Arigato ne sabishii naa
Mada minu ashita-tachi ima iku ne
Yoroshiku ne ureshii naa

Kanawa nai negai-tachi hontou ni ne
Gomen ne itsuka kitto
Kanaerareta omoi-tachi arigato ne
Korekara mo zutto tomo ni

Chiisa na kodou furueru tabi
Omou no wa boku ga anata wo mamoru kara

Ima boku ga ikite iru toiu koto wa
Ima boku ga shiawase da toiu koto
Ima boku ga waratte nai toshite mo
Ima boku ga ikite iru sore dakede
Shiawase da toiu koto

Deae nai inochi-tachi kimi no fun mo
Boku wa kitto ganbaru yo
Kawashita kono yakusoku-tachi hanasa nai yo
Wasure nai yo yakusoku shiyou

Itsuka kono yo no dare mo ga ieru no ka na
“Boku wa mou nanimo nozomi wa shinai kara”
Chiisa na yume wo tsugi kara tsugi ni
Egaite wa sutete iku no wa
Hontou wa mou kore ijou nani mo ira nai kara

Ima boku ga ikite iru toiu koto wa
Ima boku ga shiawase da toiu koto
Ima boku no me ni namida ukandemo
Ima boku ga ikite iru sore dakede
Shiawase da toiu koto

Afureru inochi-tachi ikite iru
Boku ga iru ureshii naa
Kiete itta inochi-tachi itsuka wa ne
Boku mo iku ne sono hi made

Ima boku ga ikite iru toiu koto wa
Ima boku ga shiawase da toiu koto

Ima boku ga ikite iru toiu koto wa
Ima boku ga shiawase da toiu koto
Ima boku ga waratte nai toshite mo
Ima boku ga ikite iru soredakede
Shiawase da toiu koto
Ikite iru soredakede
Shiawase da toiu koto

Monday, May 15, 2006

Cao Fang

i believe you guys have all received Cao Fang's album sent by Zhu, who was asking me to write something for the newly emerged singer in China mainland. i hope her songs will leave a good impression to ppl who has never listened to Chinese pop before.

(to zhu: it's hard to write an original review... i should just put the Chinese review into google translate and get the English text...)

initially i didn't have a high expectation for her. since i'm already used to the old, traditional styles of most mainland Chinese songs. however her production came to me as a shock. she has adopted a very unique folk-song style lacked by most of her counterparts, and her voice is so natually integrated into her songs. this album "Encounter Me" is her second one so far, released 2 years after her first album, "Black Perfume". i like two of her songs in "Encounter Me" best, "Straw Man" and "Wind Blows over Rainy Days". her monologs in the front part of the songs have characterized Cao Fang's unique singing style well.



zhu:
Added Discography translations. I suck at translations. Bear with me.


Debut Album (2003) - 黑色香水 | Black Perfume
1. 黑色香水 | Black perfume
2. 春花秋开 | Spring flowers blooming in autumn
3. 失陪 | Excuse me
4. 透明对白 | Transparent dialogue
5. 橘子汁 | Orange juice
6. 基诺山 | Jinuo Mountain
7. Two weeks holiday
8. Garbled account
9. So cool
10. 落单 | Loly (lost + lonley)
11. 小病人 | Little patient
12. 别样生活 | Another kind of life


2nd Album (2005) - 遇见我 (Encounter Me)
1. 遇见我 | Encouter me
2. 神秘礼物 | Mysterious gift
3. 风吹过的下雨天 | Wind blowing over rainy day
4. 城市稻草人 | City scarecrow
5. ICY是淑女 | ICY is a lady
6. TROUBLE
7. I don't care anyway
8. 秋凉 | Autumn chill
9. 在夏天 | In summer
10. 落单.续 | Loly . c'td
11. 孤单的独白 | Lonely monologue

Icy's fansite: http://www.icyfans.com/forum/index.php

Friday, May 12, 2006

Music Bombs

We resumed our music sharing business obviously. There're too many links so I'll just sum them here and you can pick whichever catches your fancy.


Dido - No Angel

>> Dido's debut album which's rather original. The wikipedia entry categorises this album under 'easy listening' lol. Sure someone's heard 'No Angel', 'Thank You', 'Here with me'?

------- oOo --------



Dolly Parton - The Collection
>> Dolly Parton's an amazing country singer. Not sure where this album comes from. Maybe it's just an universal edition but you'll get a pretty good idea of her styles and voice. (2 tracks missing btw).

------- oOo --------



Pat Metheny - A Map of the World
>> Genre: new age, guitar
Pat Metheny is an American guitarist who works mainly on jazz genre. This album is sadly beautiful and quiet. Perfect background music for studying/reading, or maybe sleep inducing.

------- oOo --------



Yoko Kanno - Tokyo Sora
>> Tokyo Sora is a Japanese movie and it seems the setting is in an art university. Yoko Kanno wrote the scores and it was one of her earliest solo works. Some of the tracks are very minimalistic and humourous.

------- oOo --------



Cao Fang (Icy) - Hei Se Xiang Shui (Black Perfume)
>> This's Cao Fang's (English name 'Icy') debut album. She recently won the best mainland selling artist. Personally I find her lazy style of singing rather attractive and she's a very talented song writer. Won't pass any more comments. Maybe yaya will write a review.

------- oOo --------



雲のむこう、約束の場所 OST (The place promised in our early days)
>> It's an anime feature film OST. Even if you have no idea about the anime, the music alone is attractive enough, mostly strings and symphonie.

------- oOo --------


The rest of the albums are from Jady. I'll leave you to edit the posts.

Wong Faye - Chang You (Scenic Tour)

Alanis Morissette - So-called Chaos

Damien Rice

Yann Tiersen Albums(composer of 'Amelie')

Yann Tiersen - Rue des Cascades

Yann Tiersen - Retrouvailles

Monday, May 01, 2006

views, reviews, and stevie nicks

Confession--I didn't manage to study after all today--obsessedly browsed and read all music-related stuff, and did some extensive update on ukulele. The recent posts (and the lack of them) made me ponder if we had got it right after all the zest and labor: if the initial rush was too strong and tired out the drive to follow up, if too many people were invited, if the implicitly set tones and themes were too formal and contricting when all we ever wanted was personal views and random thoughts and (if it should happen) freely indulging in artists/genres we share common interest in. I should hope it's just the mad busy end-of-April period. I should also hope it's just my occasional streak of intolerance/impatience stretching its limbs. Hmph.

Rants and grunts aside, I am bursting to ask you this--do you know that Stevie Nicks (that gender-neutral voice that sang Touched by an Angel on Sweet November OST) is female?!! and an attractive, young woman at that?!! BLEW MY MIND AWAY! I was reading Dixie Chicks biography and it cited that the band had covered some classic item of Stevie Nicks--one click away and I was looking at a blonde girl/woman, and my first and only thought was: wrong spelling, name of that voice should be Steve Nicks. So, some more browsing..and arrrrhhhhh, it's her, it's her! Gosh. How this will change the listening experience of Touched! Incroyable..

upcoming album releases (to be completed)

Dixie Chicks - Taking the Long Way










The nine time Grammy-Award winning Sony Recording artists will release this highly-anticipated fourth album on May 23, 2006. Release notes and review.



Jewel is returning to her folk roots after the 0304 stint, releasing album GOODBYE ALICE IN WONDERLAND on 2nd May. news and review on the new album.








Zhu: added a promotional video on Jewel's upcoming album.

Monday, April 24, 2006

The music is with you all the way ...

Today I shall bring a touch of classic culture to this blog.
Previous meanderings and discertations on songs of more recent genres require adequate balance with more analysis on the whole skeleton of music:
TO me that means : Instrumentation.

The case study today will be the absolutely ingenious, and beautiful OST of the japanese movie
"Be with you" @ " Ima ai ni yukimasu" ( if i'm not wrong)

This OST is just amazing for more reasons than I can expound on.
I'll just pick a few of my favourite tracks and just give a brief rundown on them using my rather rusty knowledge from my 4 year MEP ( Music Elective Programme) course I took when I was a fair lass of 13-16 years.

The composer of this score is Suguru Matsutani.
He doesn't have that extensive a discography as sakamoto or kanno but i think that he's a testament of quality mattering more than quantity.

To me the main instruments that shoulder the most responsibility in bringing this excellent score to life are the strings, piano and occasionally the flute, which is used as an excellent highlighter of motiff introduction and slips into comfortable supporting role.


In track 6 which is light hearted song, the pizzicato (plucked) strings mimic the skipping feet of the little boy and the last few days of sunshine that exist beore the longawaited rainy season comes. The flute here takes on a a sweet innocent role intermingling between the strings with it's occasional squeaks here and there like rays of sunshine through a field of gold.

Immediately after this u have track 7 and 8 where a more melancholic and reminescent mood is brought about with a thicker texture to the string bits and the flute now takes on a mature role with a lower toned, velvety theme. In 8, there's gradual ritard ( slowing down) of a 3 note motif ( one of the recurring themes in the OST ) on the strings with the piano, which takes the heart renderingness just that extra bit more with it's slower and drawn out progression.

The versatility and range of moods and emotions in this OST is exemplified in 8 as well, where half way through this rather long track, the melancholic mood takes a change for the brighter, more hopeful tone. A more chordal texture adds bulk and works well to emphasise the hope and yearning that this beautiful rainy season will not come to a close, bringing away with it happiness and love.
once again u can hear the pizzicato strings and staccotoed notes, all wonderfully blended.
Towards the end where there's a switch to a quieter mood, the switch, just like many of the transitions is smooth, sweet and once again tugs at the soul strings. that's ingenuity for you.
No sharp surprises, no harsh sunlight to spoilt ur mild rainy days.

In 9, where matsutani employs the usage of vocals, it really works to make this sound like a chorus of angels from heaven. It's a light hearted piece with a good blend of contrapuntal tenor and soprano voices and similarly string accompaniment enters to support and make the mood just that bit lighter. Very clever.

In 11, is a quiet and sombre song. The solo piano entry sets the mood. With ending chords at each phrase, it implies the coming doom or tragedy and loss that is to happen. The strings then enter, and though uplifting, they seem to reflect the fight to prevent the eminent loss and the search for a possible way out. Towards the end of this short track there's an exagerated ritard of the 3 note motif mentioned above, and it ends on one of these repetitions. A lingering expression of hope.

Track 12 follows immediately after that last ritard. And it is my absolute favourite.
Here, the strings are in background whilst the drums and piano take on a prominent role.
All this works to create an atmosphere of tension, emergency and panic as the loss grows eminent. At 1.50, the strings take on a more prominent ascending motif in the background together with an ascending motif too on the xylophone which sets the mood in certainty.
The waves of tension and pain climaxes and matsutani does a cliff hanger at the end of this, leaving the listeners to wonder...What happens next?

Well I won't tell you what happens next.

You have to watch the movie.
It's a heartrending movie and the music is with it all the way.

Friday, April 21, 2006

Rufus craze

The Rufus craze has set in and seems wouldn't be going for quite a while..i really really really should cut my hands off for this, but I just watched a whole lot other Rufus videos. And one interesting (and to me, moving) thing I noticed is that, the way he carried himself changed a lot after he re-emerged from rehab, not just body gestures, but a lot in the way he talks and what he talks about. I'll come back to this later. (I just realized how horribly difficult the past biostats papers are..speechless..) but for now, I'll leave this space with this—