Musicians are linguists

…and probably have to be, if they are to be widely recognized? It is hardly surprising the whole world is eager to release pop music in English and, for certain romantic styles, French/Spanish too. Market rules. Not that I am complaining at all, though sometimes I do wish to hear a Swedish indie pop band sing in Swedish for once. ;-)

For the day I'm recommending three indie pop bands (I vow to take a break from twee soon) hailing from Japan, Brazil and China, who sings (exclusively?) in a language other than their own.

First up, mondialito. A two-piece Japanese band established in 2002, they are closer in style to their Swedish counterparts than their indie pop compatriots (ref. the more experimental and quirkier Spangle Call Lilli Line). Fueoka Toshiya's gentle guitar picking coupled with the airy vocals of Junko who sings in French with a lovely accent gives their sound an all too dreamy feel. A perfectly melodious and quiet companion to bedtime reading (or whatever you see fit!)

Download mondialito - cher mon amoureux. (Link valid for 14 days.) If YSI asks you to sign up I guess you'll have to, but it's fast really.

Summer time is almost over (though not much difference here in the tropics, *pity self*) a little late for an album named 'Summertime' perhaps? Well, only if you are the kind that fails to be moved by happy beats and jangly guitars--what kind of miserable are you then? ;-) Well I really like this band, its easy and bright-as-Brazilian-sunbeam sound and soft vocal...(the album was released two summers ago actually...I'm forever late.) wonder why they call themselves Pale Sunday?--a reference to Gloomy Sunday, I suppose not? Click on the album cover to read a better review.

Download Pale Sunday - Summertime. (Link valid for 14 days.)

Last but definitely not least, a strong 2002 debut album comprising of 10 English tracks, composed and performed by the very talented Tian Yuan (田原) with band Hopscotch（跳房子) released when she was still in high school. I still feel awed thinking that this girl is of my age, from my hometown (a frustrated megacity in central China) have soared up all like a strong, lone bird and already left such an awesome trail behind (and still much under-appreciated). But that's another story. This trip-hop and punk rock(? or so they claim) influenced album is unabashedly experimental, (sometimes I cringe a little at the monologues) sharp like a freshly cut lemon yet sports a sophistication and stuns even without considering the age and language and debut factors. A great shame I hunted it down only now!

Download Hopscotch - A wishful way. (Link valid for 14 days.)

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Now playing: 彭靖惠 - 呆瓜
via FoxyTunes

Frou Frou - Details

From last.fm biography--

Frou Frou is a British electronic musical group with two members: Imogen Heap and Guy Sigsworth, active from 2002 to 2003.

Frou Frou manufactured an impressive brand of vocal-driven, electronic pop; formerly the exclusive territory of Björk. The British duo had been collaborating for years without a record deal, and after what must have been countless hours matching Sigsworth's studio finesse and trickery with Heap's breathy yodel, the group's debut, Frou Frou - Details, was completed for American release on MCA Records in 2002.

Heap and Sigsworth first worked together on "Getting Scared" from Heap's 1998 solo record, Imogen Heap - I Megaphone. After completing the promotion for that splendid debut, Heap was ready to begin work on a new project and the two hooked up again as Sigsworth had privately been compiling music specifically for Heap while producing other projects. The first track, conceived by the new, more formal (but as yet unnamed) pairing, eventually turned into "Flicks" from Details, which is perhaps Frou Frou's most Björk-reminiscent number.

Sigsworth grew up listening to eclectic female artists like Kate Bush, and along with Heap, developed an appreciation for classical music. He has specificaly worked with Björk (Homogenic, Vespertine) and Madonna ("What It Feels Like for a Girl") among many other significant '90s pop and electronic artists. Far from being the kind of campy moniker one might expect from a more sugary pop outfit, the name Frou Frou was decided upon when Francophile Sigsworth noticed the phrase in a Baudelaire poem. Apparently, when uttered in French, the phrase is meant to approximate the swishing of skirts as they swirl about the legs of comely dancing women, as in a burlesque performance.

Born composers, multi-instrumentalist Heap and studio/sound/ producer/musician Sigsworth are credited with many side appearances in support of other artists, especially Sigsworth, who was often used as a bit of a song-fixer. While those aren't bad jobs to have, artists of Frou Frou's caliber need to step out on their own, and while Heap worked as a solo artist for a majority of her career, Sigsworth had never been so strongly identified with any previous project. Instead of relegating the male producer/writer to a barely credited back seat, as often happens with a female-fronted team effort, Frou Frou was conceived and honestly portrayed as a true collaboration, making it significant for its marketing truthfulness if nothing else.

Details has some relatively conventional pop moments like "It's Good to Be in Love," but more experimental cuts like "Only Got One" display a more definitive quality. The true accomplishment of Frou Frou (which is in evidence on just about every track the "band" created) is their uncanny ability to infuse highly manipulated, digitally crafted music with a warmth quite rare in pop and almost unheard of in music so technologically progressive. In the studio, Frou Frou achieved unique sounding beats for Heap's luscious voice via more-than-would-be-expected acoustic and natural instruments. These actual instrumental performances were recorded first, then heavily manipulated in an editing stage, giving the duo their own process and thus, their own sound. This approach made their music lush, dynamic, and more earthy when compared to typical electronic/dance and canned pop.