
Thanks for G's recommendation. Quoting her
'he's a little like the lively side of Rufus...you think?'
That pretty much nails it.
Mika
Lollipop
Grace Kelly
Monday, September 08, 2008
Monday, April 28, 2008
Zbigniew Preisner - Trois Couleurs: Bleu soundtrack
filed under: classic, downloads, european, instrumental, ost, symphony
Decidedly one of my favourite composers for film scores and beyond, Zbigniew Preisner makes music that's majestic, poignant, often profoundly melancholic and breathtakingly beautiful.
Quoting wikipedia:
Preisner studied history and philosophy in Kraków. Never having received formal music lessons, he taught himself about music by listening and transcribing parts from records.
He is best known for his work on Kieślowski’s movies, most famously, Trois Couleurs: Bleu, Blanc, Rouge; and after working with fellow Pole Agnieszka Holland on Kieślowski’s Three Colors: Blue, Preisner was hired by producer Francis Ford Coppola to write the score for The Secret Garden, directed by Holland.
Although Preisner is most closely associated with Kieślowski, he has written for other directors, winning a César in 1996 for his work on Jean Becker’s Elisa. He has won a number of other awards, including another César in 1994 for Three Colors: Red, and the Silver Bear from the 1997 Berlin Film Festival 1997 for The Island on Bird Street.
In 1998, Requiem for My Friend, Preisner’s first large scale work not written for film, premiered. It was originally intended as a narrative work to be written by Krzysztof Piesiewicz and directed by Kieślowski, but after Kieślowski’s death, it instead became a sort of memorial to him.
Here I'd like to share the soundtrack to Trois Couleurs: Bleu with you. If you have watched the film you'd likely remember the haunting symphony that played throughout the course of the narrative, that the bereft wife and secret composer Binoche plays hears in utmost intensity in her grief and anger; music that was like the sapphire blue glass windchimes she takes with her, containing and refracting such a vortex of emotions, but always in shades of deep, almost violent, blue.
You may download the soundtrack here. (But as usual, I strongly urge you to buy a copy if you like it like I do. Do enjoy.)
Elbow - The Seldom Seen Kid
filed under: alternative, downloads, dream-pop, european, indie, lyrics, rock, tubies
Elbow is an indie rock/dream pop band from Manchester,UK. They're one of the most under-rated out there (so can be said of a million other bands) but their time will surely come! (not so much for the other million bands,sorry)! They released a new album in March this year titled 'The Seldom Seen Kid'(Download here, link expires May 3). The title is a tribute to their friend Bryan who just passed away, and also a line from their hit single 'Grounds for Divorce' (quote: Monday is for drinking to the seldom seen kid)
Links:
Official site | Wikipedia | Myspace
Elbow is my new find and I'm yet to (1) Dig out why they call themselves 'elbow', namely a rather fragile body joint (2) Listen to their previous albums to see the progression of musical style (3) Attend their concert on May 6th, held in a church in downtown Vancouver =D Envy me not!
As Jady asked me why they'd hold a concert in CHURCH (are they a religious band?), I browsed through online resources and came to the conclusion they simply love venturous places and even plan to try out a forest (They need solar energy to power up their electronic set XD) 
I've listened to the seldom seen kid back to back a couple of times and dare I say I love every single track on the album! It's 100% gem! 'Grounds for Divorce' (released in single) is coarse, dark and ground-shaking, something that would fit frontman Guy Garvey's 'grizzly' image. It's a very catchy tune with old-flavoured, minimalistic guitars. However this's the only heavy rock song you'd find on the album and wiki says 'it's the most rock composition ever attempted by Elbow'. Successful as it is, grounds for divorce isn't exactly representative. The lyrics are excellently written with personal reference to the neighborhood Garvey grew up in. Matter of fact, one of the greatest attractions about Elbow is Guy Garvey's beautifully crafted lyrics, which can be read through as a complete poem with the finest rhymes and metaphors. Here's a discussion link to the lyrics of Grounds for Divorce, an interesting read.
Grounds for Divorce
Tune to 'One day like this' and 'Weather to fly' on sunny days and you'll experience how the melodious orchestra loosen up your bones and toss you high up the clouds.'The bones of you'and 'Some Riot'are much darker and introspective. 'The fix' is a nice attempt at folk composition (reminds me of Broadway musicals) and features guest performance from Richard Hawley. They have proved how talented and versatile they're when it comes to song writing. One of the best I've came across among indie rock bands.
One Day Like This
The Bones of You (Live at Glasgow)
The Bones of You
So I'm here. Charging around with a juggernaut brow. Overdraft speeches and deadlines to make. Cramming commitments like cats in a sack. Telephone burn and a purposeful gait. When out of a doorway the tentacles stretch of a song that I know and the world moves in slow-mo. Straight to my head like the first cigarette of the day. And it's you. And it's May. And we're sleeping through the day. And I'm five years ago and three thousand miles away. Do I have time? A man of my caliber?
Stood in the street like a sleepwalking teenager? No. And I dealt with this years ago. I took a hammer to every memento but image on image like beads on a rosary pull through my head as the music takes hold. And the sickener hits. I can work 'til I break but I love the bones of you. That I will never escape. And it's you. And it's May. And we're sleeping through the day. And I'm five years ago and three thousand miles away. And I can't move my arm for fear that you will wake. And I'm five years ago and three thousand miles away.
Wednesday, April 16, 2008
Kings Of Convenience - I'D Rather Dance With You
filed under: downloads, european, indie, pop, song of the day, tubies
Song of the Day! Get up and shake your booty~~ ;)
I'll leave it to zhu to do a KOC rave/post, just thought I'd post this cute (and gayest I've seen in a while xD) video here first, and also the soon-to-expire link to download the full size MV for any of you who collect...Enjoy~
Thursday, December 06, 2007
Robert Plant and Alison Krauss - Raising Sand
filed under: americana, bluegrass, blues, country, european, north american, rock
When Led Zeppelin frontman Robert Plant and bluegrass goddess Alison Krauss decided to come together and make a duet album, what ensues is pure MAGIC. I only got wind of the news a couple of days ago and immediately jumped at it, but had I known the news long enough to sit back and muse through the months about what kind of a music-child this might turn out to be, I'd scratch my head, bad. Admittedly I knew nothing about the works of post-Led Zep Plant, who famously and admirably dabbled in a wide range of genres, so collaboration with artists outside of classic rock wouldn't be a first, still, to juxtapose the jangly, howling Led Zep passion alongside Krauss's lightly hopping banjo notes and angelic, crystalline honey of a voice is a strange, if not downright bizarre picture.
Yet. The titans did not clash. They complemented each other so perfectly you wonder why they hadn't thought of doing this earlier, more often, and (if possible) for life. I'll quote Alanna Nash's in-depth review here--
No matter that Plant seems so subdued as to be on downers, for that's one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Yet probably the main reason it all works so well is the choice of producer T Bone Burnette, the third star of the album, who culled mostly lesser-known material from some of the great writers of blues, country, folk, gospel, and R&B, including Tom Waits, Townes Van Zandt, Milt Campbell, the Everly Brothers, Sam Phillips, and A.D. and Rosa Lee Watson. At times, Burnette's spare and deliberate soundscape--incisively crafted by guitarists Marc Ribot and Norman Blake, bassist Dennis Crouch, drummer Jay Bellerose, and multi-instrumentalist Mike Seeger, among others--is nearly as dreamy and subterranean as Daniel Lanois's work with Emmylou Harris (Wrecking Ball). Occasionally, Burnette opts for a fairly straightforward production while still reworking the original song (Plant's own "Please Read the Letter," Mel Tillis's "Stick with Me, Baby"). But much of the new flesh on these old bones is oddly unsettling, if not nightmarish. On the opening track of "Rich Woman," the soft-as-clouds vocals strike an optimistic mood, while the instrumental backing--loose snare, ominous bass line, and insinuating electric guitar lines--create a spooky, sinister undertow. Plant and Krauss trade out the solo and harmony vocals, and while they both venture into new waters here (Krauss as a mainstream blues mama, Plant as a gospel singer and honkytonker), she steals the show in Sam Phillips' new "Sister Rosetta Goes Before Us," where a dramatic violin and tremulous banjo strike a foreboding gypsy tone. When Krauss begins this strange, seductive song in a voice so ethereal that angels will take note, you may stop breathing. That, among other reasons, makes Raising Sand an album to die for.
And an interview clip (with segments of songs) with Plant, Krauss and producer Burnette that's well worth checking out.
'nuff said. Grab the album here, and enjoy. B-)
----------------
Now playing: Robert Plant & Alison Krauss - Rich Woman
Saturday, April 28, 2007
Keren Ann - Lay Your Head Down (video)
filed under: acoustic, blues, european, folk, singer-songwriters
keyword: keren ann, new release, folk, blues, acoustic, ballad.
Monday, February 26, 2007
indie rock playlists
filed under: downloads, european, indie, north american, rock
For indie rock enthusiastics, music omnivores and anti-copyright fiends (who download an inordinate amount of stuff for pastime and/or just for the kick of it, ye know who you are ;-) – here’s the latest goodie (that the very slow me found not long ago). Click and you shall find bittorrent links to several large (by 'large' I mean LARGE) indie rock playlists, compiled monthly by some generous soul(s) of interesting, fun tastes. Enjoy!
Tuesday, February 06, 2007
Keren Ann
filed under: acoustic, alternative, blues, downloads, european, folk, singer-songwriters
Shrugging off the education/informational-column-writing feeling from the last post…and finally do this long overdue one!
Keren Ann!
Keyword: singer-songwriter, acoustic, folk, Nick Drake-ian (oh which means there need a Drake post…or read last.fm bio for now)
Language: English, French
A mini-bio:
Born 1974 in Israel, Keren Ann is singer-songwriter/producer based largely in Paris, New York and Israel. She began her solo career in 2000 with La biographie de Luka Philipsen, "Luka" in homage to the Suzanne Vega song-- written with and produced by Biolay, who also co-wrote and -produced its follow-up, La disparition (“Disappearance”). In 2003, Not Going Anywhere which includes several songs from La disparition re-sung in English, was her first U.S. release, but the American breakthrough came with its bilingual follow-up, Nolita, named after her neighborhood in lower Manhattan. She also collaborated with Barði Jóhannson of the Icelandic group Bang Gang for the album Lady & Bird. The fifth album, the eponymous Keren Ann, will be released April 23rd, 2007 in Europe and May 8, 2007 in the United States.(Groans...not another eponymous album! What's so cool with eponymousness besides a fair touch of narcissistic smiles into the mirror? Or maybe eponymous has proven to be always critically acclaimed and commercially successful and thus an auspicious move…Okay I’ll keep the grumbles to me self. Getting that album, eponymous or not!)
Keren’s style takes a lot of influence from folk while blending in elements of rock. One special thing about her is the serenity in her music—it’s not just melodious or soothing—it exudes tranquillity (not the Zen-master kind though), yet underneath her lightly sung, almost dreamlike vocal it goes deeper, takes on brooding tones and sometimes dark turns. Just like what could be said of Nick Drake’s sounds, pretty much the same could be said of Keren’s—gentle, autumnal, intimate, and can be at once so beatific and melancholic.
Besides the addition of English on top of French to sing in, Keren's approach to music has been, IMO, consistently and relentlessly herself through the last four albums. You may hear the changes, the quiet transition from one album to the next, in theme or music arrangement, but it's always her speaking true to you.
Not Going Anywhere was the first album I ever listened to, and remains my favourite. The light nonchalance of her vocal totally belies and sometimes hides the dissecting disillusionment in the lyrics, if you float buoyed by the tunes and don't listen closely. A gem.
A selection of a few tracks from three of her albums may be obtained here (expires arrgh today, should've posted earlier). Ask me to re-send if you are interested.
...And this freakin thing happened
Wednesday, January 24, 2007
Frou Frou - Details
filed under: electronic, european, pop, trip-hop, tubies
From last.fm biography--
Frou Frou is a British electronic musical group with two members: Imogen Heap and Guy Sigsworth, active from 2002 to 2003.
Frou Frou manufactured an impressive brand of vocal-driven, electronic pop; formerly the exclusive territory of Björk. The British duo had been collaborating for years without a record deal, and after what must have been countless hours matching Sigsworth's studio finesse and trickery with Heap's breathy yodel, the group's debut, Frou Frou - Details, was completed for American release on MCA Records in 2002.
Heap and Sigsworth first worked together on "Getting Scared" from Heap's 1998 solo record, Imogen Heap - I Megaphone. After completing the promotion for that splendid debut, Heap was ready to begin work on a new project and the two hooked up again as Sigsworth had privately been compiling music specifically for Heap while producing other projects. The first track, conceived by the new, more formal (but as yet unnamed) pairing, eventually turned into "Flicks" from Details, which is perhaps Frou Frou's most Björk-reminiscent number.
Sigsworth grew up listening to eclectic female artists like Kate Bush, and along with Heap, developed an appreciation for classical music. He has specificaly worked with Björk (Homogenic, Vespertine) and Madonna ("What It Feels Like for a Girl") among many other significant '90s pop and electronic artists. Far from being the kind of campy moniker one might expect from a more sugary pop outfit, the name Frou Frou was decided upon when Francophile Sigsworth noticed the phrase in a Baudelaire poem. Apparently, when uttered in French, the phrase is meant to approximate the swishing of skirts as they swirl about the legs of comely dancing women, as in a burlesque performance.
Born composers, multi-instrumentalist Heap and studio/sound/ producer/musician Sigsworth are credited with many side appearances in support of other artists, especially Sigsworth, who was often used as a bit of a song-fixer. While those aren't bad jobs to have, artists of Frou Frou's caliber need to step out on their own, and while Heap worked as a solo artist for a majority of her career, Sigsworth had never been so strongly identified with any previous project. Instead of relegating the male producer/writer to a barely credited back seat, as often happens with a female-fronted team effort, Frou Frou was conceived and honestly portrayed as a true collaboration, making it significant for its marketing truthfulness if nothing else.
Details has some relatively conventional pop moments like "It's Good to Be in Love," but more experimental cuts like "Only Got One" display a more definitive quality. The true accomplishment of Frou Frou (which is in evidence on just about every track the "band" created) is their uncanny ability to infuse highly manipulated, digitally crafted music with a warmth quite rare in pop and almost unheard of in music so technologically progressive. In the studio, Frou Frou achieved unique sounding beats for Heap's luscious voice via more-than-would-be-expected acoustic and natural instruments. These actual instrumental performances were recorded first, then heavily manipulated in an editing stage, giving the duo their own process and thus, their own sound. This approach made their music lush, dynamic, and more earthy when compared to typical electronic/dance and canned pop.
Tuesday, January 23, 2007
Upcoming releases '07 - the more comprehensive list
filed under: european, miscellaneous, north american, release info
On second thought I’ll just highlight those that interest me, and put up the whole list for your scrutiny. I am sure there are plenty others that you’d be happy to see (and tell us about it). =d. Source: Metacritic.
| 6 Jan Tuesday | |
| The Autumn Defense | The Autumn Defense |
| 23 Jan Tuesday | |
| Arbouretum | Rites Of Unconvering |
| The Brokedown | I Can't Go On, I'll Go On |
| Clinic | Visitations |
| Deerhoof | Friend |
| Julie Doiron | Woke Myself Up |
| The Earlies | The Enemy Chorus |
| Exploding Star Orchestra | We Are All From Somewhere Else |
| Fujiya & Miyagi | Transparent Things US release; already out in |
| Ghost | In Stormy Nights |
| The Good, The Bad & The Queen | The Good, The Bad & The Queen |
| Kristin Hersh | Learn To Sing Like A Star |
| David Kilgour | The Far Now |
| Menomena | Friend And Foe |
| Of | Hissing Fauna, Are You the Destroyer? |
| The Shins | Wincing The Night Away |
| Six Parts Seven | Casually Smashed To Pieces |
| 30 Jan Tuesday | |
| Lily Allen | Alright, Still US release; already out in |
| Bracken [Hood's Chris Adams] | We Know About The Need |
| Busdriver | RoadKillOvercoat |
| Clap Your Hands Say Yeah | Some Loud Thunder |
| Hella | There's No |
| Norah Jones | Not Too Late |
| Skinny Puppy | Mythmaker |
| Youth Group | Casino Twilight Dogs |
| 6 Feb Tuesday | |
| Aereogramme | My Heart Has A Wish That You Would Not Go |
| Apostle Of Hustle | National Anthem Of Nowhere |
| Apples In Stereo | New Magnetic Wonder |
| Bloc Party | A Weekend In The City |
| Fall Out Boy | Infinity On High |
| Rickie Lee Jones | The Sermon On |
| L | Dip |
| Sondre Lerche | Phantom Punch |
| Loney, Dear | Loney, Noir |
| Yoko Ono | Yes, I'm A Witch |
| Jesse Sykes & The Sweet Hereafter | Like, Love, Lust & The Open Halls Of The Soul |
| 13 Feb Tuesday | |
| High Llamas | Can Cladders |
| Lucinda Williams | West |
| 20 Feb Tuesday | |
| Calla | Strength In Numbers |
| Bobby Conn | King For A Day |
| Jill Cunniff [of Luscious | |
| Dolorean | You Can't Win |
| Explosions In The Sky | All Of A Sudden I Miss Everyone |
| Field Music | Tones Of Town |
| Magic Numbers | Those The Brokes US release; already out in |
| Trans Am | Sex Change |
| 27 Feb Tuesday | |
| Dean [Wareham] & Britta [Phillips] | Back Numbers |
| 6 Mar Tuesday | |
| !!! | Myth Takes |
| Air | Pocket Symphony |
| Arcade Fire | Neon Bible |
| Ry Cooder | My Name Is Buddy |
| El-P | I'll Sleep When You're Dead |
| Guns N' Roses | Chinese Democracy source |
| Albert Hammond Jr. | Yours To Keep US release; already out in UK |
| Gruff Rhys | Candylion US release; already out in UK |
| RJD2 | The Third Hand |
| Sevendust | Alpha |
| Son Volt | The Search |
| Maria Taylor | Lynn Teeter Flower |
| Wheat | Everyday I Said A Prayer For Kathy And Made A One Inch Square |
| Wolf & Cub | Vessels |
| 13 Mar Tuesday | |
| The Fall | Reformation Post T.L.C. |
| 20 Mar Tuesday | |
| Adult. | Why Bother? |
| Andrew Bird | Armchair Apocrypha |
| Good Charlotte | Good Morning Revival |
| Kieran Hebden & Steve Reid | Tongues |
| I'm From Barcelona | Let Me Introduce My Friends US release; already out in Europe |
| LCD Soundsystem | Sound Of Silver |
| Ted Leo & The Pharmacists | Living With The Living |
| Low | Drums And Guns |
| Willy Mason | If The Ocean Gets Rough |
| Panda Bear | Person Pitch |
| The Ponys | Turn The Lights Out |
| Joss Stone | Introducing Joss Stone |
| The Stooges | The Weirdness |
| Tracey Thorn | Out Of The Woods |
| The Willowz | Chautauqua |
| The Zincs | Black Pompadour |
| 27 Mar Tuesday | |
| Kaiser Chiefs | Yours Truly, Angry Mob UK: 26 Feb |
| Grant-Lee Phillips | Strangelet |
| 3 Apr Tuesday | |
| Fountains Of Wayne | Traffic And Weather |
| Kings Of Leon | Because Of The Times |
| Maximo Park | Our Earthly Pleasures |
| Partridge-Andrews-Barker Project | Monstrance |
| 10 Apr Tuesday | |
| Blonde Redhead | 23 |
| Bright Eyes | Cassadaga |
| Grinderman [new Nick Cave band] | Grinderman UK: 5 Mar |
| Love Of Diagrams | Mosaic |
| 17 Apr Tuesday | |
| Joseph Arthur | Let's Just Be |
| Bill Callahan [of Smog] | Woke On A Whaleheart |
| 24 Apr Tuesday | |
| Mando Diao | Ode To Ochrasy |
| 1 May Tuesday | |
| Dungen | [Title TBA] |
| 8 May Tuesday | |
| Mystery Jets | Zoo Time |
| Dolores O'Riordan [of The Cranberries] | Are You Listening? |
| 15 May Tuesday | |
| Satellite Party [new Perry Farrell group] | Ultra Payloaded |
| Wilco | Sky Blue Sky |
| Anticipated Future Releases | ||
| Note: If an artist appears multiple times, that means multiple albums by that artist are forthcoming. | ||
| 50 Cent | Before I Self Destruct | Spring 2007 |
| Aerosmith | [Title TBA] | Spring 2007 |
| Aesop Rock | None Shall Pass | 2007 |
| Akron/Family | [Title TBA] | Spring 2007 |
| The Aliens [ex-Beta Band members] | [Title TBA] | February 2007 |
| Alkaline Trio | [Title TBA] | Summer 2007 |
| Ambulance LTD | [Title TBA] | 2007 |
| Angels Of Light | We Are Him | April 2007 |
| Animal Collective | [Title TBA] | Fall 2007 |
| Annie | [Title TBA] | 2007 |
| Architecture In Helsinki | [Title TBA] | Spring 2007 |
| India.Arie | Testimony: Vol. 2, Love & Politics | 2007 |
| Art Brut | [Title TBA] | 2007 |
| Joseph Arthur | Abwoon | Late 2007 |
| Ash | [Title TBA] | Summer 2007 |
| Auf Der Maur | [Title TBA] | 2007 |
| The B-52s | [Title TBA] | 2007 |
| Babyshambles | [Title TBA] | Late 2007 |
| Bad Brains | [Title TBA] | Spring 2007 |
| The Bees | Octopus | 2007 |
| Beirut | [Title TBA] | Fall 2007 |
| Big Boi | [Title TBA] | 2007 |
| Bjork | [Title TBA] | Spring 2007 |
| Black Eyed Peas | [Title TBA] | Late 2007 |
| Black Rebel Motorcycle Club | [Title TBA] | Feb/Mar 2007 |
| Blur | [Title TBA] | 2007 |
| The Bravery | The Sun And The Moon | Early 2007 |
| The Breeders | [Title TBA] | Spring 2007 |
| British Sea Power | [Title TBA] | Summer 2007 |
| Ian Brown | The World Is Yours | Late 2007 |
| Built To Spill | [Title TBA] | 2007 |
| Isobel Campbell | [Title TBA] | 2007 |
| Cannibal Ox | [Title TBA] | 2007 |
| JC Chasez | [Title TBA] | March 2007 |
| Clem Snide | Lose Big | 2007 |
| The Clientele | God Save The Clientele | April 2007 |
| Coldplay | [Title TBA] | Late 2007 |
| Common | Finding Forever | 2007 |
| The Concretes | [Title TBA] | Spring 2007 |
| The Coral | [Title TBA] | 2007 |
| Cornelius | Sensuous | 2007 |
| Chris Cornell | [Title TBA] | 2007 |
| The Cure | [Title TBA] | May 2007 |
| Cursive | [Title TBA] | Fall 2007 |
| Britt Daniel [of Spoon] | [Title TBA] | 2007 |
| Dido | [Title TBA] | 2007 |
| Dinosaur Jr. | [Title TBA] | Spring 2007 |
| Dntel | Dumb Luck | April 2007 |
| The Donnas | [Title TBA] | 2007 |
| Doves | [Title TBA] | 2007 |
| Duran Duran | [Title TBA] | May 2007 |
| The Eagles | [Title TBA] | 2007 source |
| Earlimart | [Title TBA] | 2007 |
| Editors | [Title TBA] | Spring 2007 |
| Eisley | [Title TBA] | 2007 |
| Elbow | [Title TBA] | Spring 2007 |
| Electrelane | No Shouts, No Calls | April 2007 |
| Feist | [Title TBA] | Spring 2007 |
| Bryan Ferry | Dylanesque | March 2007 |
| Lupe Fiasco | The Cool | 2007 |
| Final Fantasy | Heartland | 2007 |
| Neil Finn | [Title TBA] | 2007 |
| Fridge | [Title TBA] | May 2007 |
| Fugees | [Title TBA] | ?? 2007[delayed] |
| Gang Of Four | [Title TBA] | 2007 source |
| Gnarls Barkley | [Title TBA] | 2007 |
| The Go! Team | [Title TBA] | August 2007 |
| Jose Gonzalez | [Title TBA] | 2007 |
| Adam Green | [Title TBA] | 2007 |
| Hard-Fi | [Title TBA] | Summer 2007 |
| PJ Harvey | [Title TBA] | 2007 |
| Hot Chip | [Title TBA] | 2007 |
| Hot Hot Heat | [Title TBA] | Spring 2007 |
| Idlewild | Make Another World | February 2007 |
| Interpol | [Title TBA] | 2007 |
| Iron & Wine | [Title TBA] | August 2007 |
| Islands | [Title TBA] | 2007 |
| Michael Jackson | [Title TBA] | Late 2007 |
| Jimmy Eat World | [Title TBA] | Summer 2007 |
| Damien Jurado | [Title TBA] | Spring 2007 |
| Talib Kweli | Ear Drum | Early 2007 |
| Ladytron | [Title TBA] | 2007 |
| Avril Lavigne | The Best Dam Thing | April 2007 |
| Annie Lennox | [Title TBA] | 2007 |
| Les Savy Fav | [Title TBA] | March 2007 |
| Jamie Lidell | [Title TBA] | 2007 |
| Linkin Park | [Title TBA] | 2007 |
| LL Cool J | Todd Smith, Part 2: Back To Cool | 2007 |
| Courtney Love | [Title TBA] | 2007 |
| Madvillain | [Title TBA] | 2007 |
| Magnetic Fields | [Title TBA] | Spring 2007 |
| Maroon 5 | [Title TBA] | 2007 |
| Massive Attack | Weather Underground | 2007 |
| Mercury Rev | [Title TBA] | 2007 |
| Metallica | [Title TBA] | 2007 |
| Metric | [Title TBA] | 2007 |
| MF Doom & Ghostface | Swift & Changeable | February 2007 |
| M.I.A. | [Title TBA] | 2007 |
| Midnight Movies | Lion The Girl | March 2007 |
| Moby | [Title TBA] | Fall 2007 |
| Modest Mouse | We Were Dead Before The Ship Even Sank | March 2007 |
| Mandy Moore | [Title TBA] | April 2007 |
| Travis Morrison | [Title TBA] | Spring 2007 |
| Bob Mould | [Title TBA] | June 2007 |
| The National | [Title TBA] | Spring/Summer 2007 |
| N.E.R.D. | [Title TBA] | 2007 |
| New Pornographers | [Title TBA] | Summer 2007 |
| Nine Inch Nails | Year Zero | April 2007 |
| Oakley Hall | [Title TBA] | August 2007 |
| Oasis | [Title TBA] | 2007-2008 |
| Okkervil River | [Title TBA] | 2007 |
| Panic! At The Disco | [Title TBA] | 2007 |
| Pinback | Autumn Of The Seraphs | Summer 2007 |
| The Pixies | [Title TBA] | 2007 source |
| Robert Pollard | Silverfish Trivia | Fall 2007 |
| Polyphonic Spree | The Fragile Army | 2007 |
| Portishead | [Title TBA] | 2007 |
| The Postal Service | [Title TBA] | 2007 |
| Prefuse 73 | [Title TBA] | 2007 |
| The Prodigy | [Title TBA] | 2007 |
| Queens Of The Stone Age | [Title TBA] | 2007 |
| Radiohead | [Title TBA] | 2007 |
| The Rakes | [Title TBA] | 2007 |
| R.E.M. | [Title TBA] | 2007 |
| Rilo Kiley | [Title TBA] | Spring 2007 |
| Kelly Rowland | My Story: Kelly Rowland | Early 2007 |
| Roxy Music [original lineup including Brian Eno] | [Title TBA] | 2007 |
| Rush | [Title TBA] | 2007 |
| Savath & Savalas | [Title TBA] | 2007 |
| Ulrich Schnauss | [Title TBA] | 2007 |
| The Sea And Cake | [Title TBA] | May 2007 |
| Shellac | Excellent Italian Greyhound | 2007 |
| Sigur Ros | [Title TBA] | 2007-2008 |
| Smashing Pumpkins | [Title TBA] | May 2007 |
| Britney Spears | [Title TBA] | 2007 |
| Spiritualized | [Title TBA] | 2007 |
| Spoon | Stroke Their Brains | Spring 2007 |
| Stars | [Title TBA] | 2007 |
| Stereolab | [Title TBA] | 2007 |
| Stereophonics | [Title TBA] | 2007 |
| Super Furry Animals | [Title TBA] | 2007 |
| Tegan & Sara | [Title TBA] | 2007 |
| Three 6 Mafia | [Title TBA] | 2007 |
| The Thrills | [Title TBA] | Spring 2007 |
| Martina Topley-Bird | [Title TBA] | Early 2007 |
| Tortoise | [Title TBA] | 2007 |
| Travis | Open | Spring 2007 |
| U2 | [Title TBA] | 2007 |
| Underworld | [Title TBA] | 2007 |
| UNKLE | War Stories | Summer 2007 |
| John Vanderslice | [Title TBA] | 2007 |
| Suzanne Vega | [Title TBA] | Spring 2007 |
| Velvet Revolver | [Title TBA] | Spring 2007 |
| The Vines | [Title TBA] | Late 2007 |
| Rufus Wainwright | Release The Stars | May 2007 |
| Chris Walla | It's Unsustainable | Fall 2007 |
| Ween | [Title TBA] | 2007 |
| Gillian Welch | [Title TBA] | 2007 |
| Kanye West | Graduation | Late 2007 |
| Andrew WK | [Title TBA] | 2007 |
| Patrick Wolf | The Magic Position | 2007 |
| Wolf Parade | [Title TBA] | Summer/Fall 2007 |
| The Wrens | [Title TBA] | Late 2007 |
| Wu-Tang Clan | [Title TBA] | 2007 |