Just watched this cover of the Beatles's Across the Universe by Fiona Apple, so diabolically different from Rufus's resounding, uplifting interpretation (see the earlier post) -Apple sings slow, languid, haunting, and her alternately expressionless and Mona Lisa-smile face is decidedly eerie...highly interesting. I still haven't found the original Beatles version, makes me wonder what it might be like very much. But - give me Rufus any day!
--------
Update: here's more...^6^
Original Beatles version. (Jeremy -- I can't find a way to embed the video you recommended so got this tubie instead ;-P).
A Tsunami themed Grammy performance by Bono from U2, Alicia Keys, Norah Jones, Billie Joe, and a lot more. Musically it's a small disaster, IMO, but it's great to just see such a bunch singing together.
A much better cover performed live by Rufus Wainwright, Moby, and Sean Ono Lennon. Moby probably shouldn't have been involved in this one, his low voice just did not fit. And Sean--I am interested to but can hardly hear him! (though I think it's hard to hear anyone under Rufus's soaring voice...lol)
MV of Rufus's version. All time favourite =D.
Lennon and Harrison probably would have liked to see this highly spiritual (religious?) cover by Laibach...telling from the end credits they must be some Eastern Europe musicians, interesting take. And what's the last funny scene doing there??
This one is old..and sound and image quality is pretty damn bad. I just wish Roger Waters had brought in even MORE Pink Floyd-ness into the version, that would be awesome.
Monday, January 29, 2007
Across the Universe - Fiona Apple and all
filed under: alternative, popera, rufus wainwright, tubies
Sunday, January 28, 2007
Gay icons
filed under: fun stuff, slapstick
This is too hilarious and fun, have to keep a copy.
Ten Gay Icons as chosen by Rufus Wainwright
Sunday November 12, 2006
The Observer
Judy is not a gay icon at all. She is somewhere far beyond that. She is a gay beacon. A gay saint. She has led the way through the darkness for some 50 years. Whether it's the Wizard of Oz or the Judy at Carnegie Hall LP - these are brilliant touchstones for the gay experience. A kind of communion takes place between a gay listener and Judy. And of course there is the drink and drugs counter-story, which is very gay for one reason or another.
In the postwar years in Western culture, it has become somehow socially acceptable to be drunk and stoned. There is such a gay fascination to that story. Gay people understand a party, that's for sure!There is no level on which Judy Garland doesn't connect with gay men. She married one, for chrissakes!
2. Stevie Nicks
Certain intellectual gay men obsess over Stevie. She is a dinner party conversation in herself, served up as a kind of hors d'oeuvre before a conversation about the Pre-Raphaelites, or something. She separates interesting homosexuals from uninteresting ones.
3. Dusty Springfield
Blessed with great artistry, she never let her lesbianism get in the way of it. Because she wasn't open about it, she gave herself the right to enjoy being a lesbian in private. It didn't diminish her. In the end, cancer claimed her; there's an iconic price for an iconic life.
4. Madonna
There's a dark force at work here - she subverts everything for her own gain. I went to see her London show and it was all so dour and humourless. She surpasses even Joan Crawford in terms of megalomania. Which makes her a kind of dark gay icon in itself.
5. Kylie Minogue
I love Kylie, she's the anti-Madonna. Self-knowledge is a truly beautiful thing and Kylie knows herself inside out. She is what she is and there is no attempt to make quasi-intellectual statements to substantiate it. She is the gay shorthand for joy.
6. Morrissey
Whether he's gay or not, he is the gay Elvis. He is among the greatest entertainers of our time. The banter, the dancing, the stage-craft, it all conspires and you know exactly what Morrissey is. He is heroic. He is a total package, like Dean Martin or Prince.
7. Barbra Streisand
Ugh, Barbra! You've got to hand it to her. She got everything she ever damn wanted and she does manage to maintain her insanity on such a highclass level. I respect her deeply. She's not as sinister as Madonna and she gives us some hope.
8. Pink
She's slightly left-of-centre in this deeply conservative pop world. She's not it, but you'd have more of a chance of finding it by using her as a conduit than you would if you used Britney Spears. You know, Pink is what I would call a 'gateway drug'.
9. Prince
It feels weird talking about Prince as a gay icon now but you have to applaud a black man in the American record industry who could be so playful with androgyny. Justin Timberlake wouldn't do that. He is a marine dressed as a pop star.
10. Kate Bush
She is the older sister that every gay man wants. She connects so well with a gay audience because she is so removed from the real world. She is one of the only artists who makes it appear better to be on the outside than on the inside.
飛べない翼
filed under: film, musique, scribble, slapstick
Once again.
I can’t help it; I watched Lily ChouChou again and yet again (within one week). When Salyu sang her 'Wings that can't fly' and Shiori pulled the strings and beamed watching the eagle-like kites, heart wrenchingly innocent and delicate, and so happy, I wept. Could only weep, and then more weeping. I can’t describe it. just breaks me.
Towards the end I got so tense. Because I could not remember the ending. It's been...eighteen months now, and my memory appears a moth-bitten carpet. I remember...crouching in the dark watching it for the first time with you in the home sty, I remember muffled gasps and tears (was it just me..) and going to bed with heavy heart and my face somewhat swollen and neither of us saying much besides a confused, broken discussion. (think Lily Chou-Chou is in many ways always associated with those hot summer days in Suzhou and the smell of the bamboo mat in your air-conditioned room). I couldn’t remember...what happened to Hasumi after Hoshino died. When he played a few notes on the piano at home and the camera cut to his torso quite still in midair my heart clutched itself and shuddered in fear, fearing that he might have hanged himself and that I have forgotten. (But how could I, if he did such a thing, or anything at all??) The ending came to this scene, billowing sunlight and Debussy, and the resemblance of this to the Love Letter scene struck me only now. My infinite respect and gratitude for Shunji Iwai, for giving closure (like how Ondaatje said a storyteller should do), and calm, pulsing hope.
And I just got more moRE mORE nostalgic for Kokyu and Salyu-as-Lily Chou-Chou. Saw this fictional discography of Lily Chou-Chou on the wiki page, beautiful, Lily-styled names, why can't they produce all of them?!
- 1stアルバム『ジュエル』
- みずうみ
- 三つの扉
- 踊る魚
- 愛の実験
- 犬の眼
- オルゴオル
- 2ndアルバム『エロティック』
- 共鳴
- 孤独の瞬間
- ビデオテープ
- 化粧をしない生活
- 家
- エロティック
- 約束の日
- 指先
- 悲しい瞳
- 沈黙の木
- 3rdアルバム『呼吸』
- アラベスク
- グライド
- 友達
- 土曜日の郵便
- 飛べない翼
- セーター
- 飛行船
- 花の瞳
- 九月の雨の心臓
- 回復する傷
Thursday, January 25, 2007
a bit of Rufus news from FolkFurieuse
filed under: alternative, news, north american, popera, rufus wainwright
Just saw this (see below) on Folk Furieuse, I am so amused by that thing Mr. FF wrote about Rufus being the same 'drôle, folle' (funny and 'silly'? haha) guy very much involved in the gay cultural scene as ever. (The 'Têtu' mentioned (French for "stubborn") is a gay magazine published in France, where the interview page (and the literally smoldering Rufus shot) is taken from. And apparently FolkFurieuse himself interviewed Rufus, as far as I understand. HOW IMMENSELY LUCKY!)
Rufus Wainwright dans Têtu
Un peu d'auto-promo n'a jamais fait de mal à personne. Je vous invite donc à vous procurer le dernier Têtu (n°119, Février 2007) afin de consulter - entre autres, l'interview de Rufus Wainwright réalisée par votre serviteur. J'ai interrogé Rufus sur le spectacle qu'il va donner en hommage à Judy Garland, le 20 février à l'Olympia, mais aussi sur son prochain album, Release the stars, qui sortira en mai et dont il parle en avant-première. En interview, Rufus ne change pas, toujours aussi drôle, toujours aussi folle, toujours aussi impliqué dans la culture gay. Il a même balancé même une petite vacherie (c'est le cas de le dire) à propos de Madonna, ce que peu de gens osent faire. Juste un regret, ma traduction de "Over the rainbow" pour le titre de l'article est mauvaise. Je pense que "Par-delà l'arc-en-ciel" aurait été mieux. Je le saurai pour la prochaine fois... En attendant, si le coeur vous en dit, il reste des places le 20 février à l'Olympia : www.olympiahall.com.
Wednesday, January 24, 2007
Elliott Smith - Ballad of Big Nothing
filed under: acoustic, alternative, folk, indie, lyrics, radio, singer-songwriters, song of the day
Just want to test out the iJigg radio really. Elliott Smith (1969 – 2003) was an American singer-songwriter and musician - "bleak, almost uncomfortably unsparing and yet tragically beautiful make Smith something of a Nick Drake for the indie rock cognoscenti." I'll put up more about him later. Enjoy this first~ =D
Throwing candy out to the crowd, dragging down the main
The helpless little thing with the dirty mouth who's always got something to say
You're sitting around at home now waiting for your brother to call
I saw him down in the alley, having had enough of it all
Said you can do what you want to whenever you want to
You can do what you want to, there's no one to stop you
All spit and spite, you're up all night and down every day
A tired man with only hours to go just waiting to be taken away
Getting into the back of a car for candy from some stranger
Watching the parade with pinpoint eyes full of smoldering anger
You can do what you want to whenever you want to
You can do what you want to, there's no one to stop you
Now you can do what you want to whenever you want to
Do what you want to whenever you want to
Do what you want to whenever you want to though it doesn't mean a thing
Big nothing
Frou Frou - Details
filed under: electronic, european, pop, trip-hop, tubies
From last.fm biography--
Frou Frou is a British electronic musical group with two members: Imogen Heap and Guy Sigsworth, active from 2002 to 2003.
Frou Frou manufactured an impressive brand of vocal-driven, electronic pop; formerly the exclusive territory of Björk. The British duo had been collaborating for years without a record deal, and after what must have been countless hours matching Sigsworth's studio finesse and trickery with Heap's breathy yodel, the group's debut, Frou Frou - Details, was completed for American release on MCA Records in 2002.
Heap and Sigsworth first worked together on "Getting Scared" from Heap's 1998 solo record, Imogen Heap - I Megaphone. After completing the promotion for that splendid debut, Heap was ready to begin work on a new project and the two hooked up again as Sigsworth had privately been compiling music specifically for Heap while producing other projects. The first track, conceived by the new, more formal (but as yet unnamed) pairing, eventually turned into "Flicks" from Details, which is perhaps Frou Frou's most Björk-reminiscent number.
Sigsworth grew up listening to eclectic female artists like Kate Bush, and along with Heap, developed an appreciation for classical music. He has specificaly worked with Björk (Homogenic, Vespertine) and Madonna ("What It Feels Like for a Girl") among many other significant '90s pop and electronic artists. Far from being the kind of campy moniker one might expect from a more sugary pop outfit, the name Frou Frou was decided upon when Francophile Sigsworth noticed the phrase in a Baudelaire poem. Apparently, when uttered in French, the phrase is meant to approximate the swishing of skirts as they swirl about the legs of comely dancing women, as in a burlesque performance.
Born composers, multi-instrumentalist Heap and studio/sound/ producer/musician Sigsworth are credited with many side appearances in support of other artists, especially Sigsworth, who was often used as a bit of a song-fixer. While those aren't bad jobs to have, artists of Frou Frou's caliber need to step out on their own, and while Heap worked as a solo artist for a majority of her career, Sigsworth had never been so strongly identified with any previous project. Instead of relegating the male producer/writer to a barely credited back seat, as often happens with a female-fronted team effort, Frou Frou was conceived and honestly portrayed as a true collaboration, making it significant for its marketing truthfulness if nothing else.
Details has some relatively conventional pop moments like "It's Good to Be in Love," but more experimental cuts like "Only Got One" display a more definitive quality. The true accomplishment of Frou Frou (which is in evidence on just about every track the "band" created) is their uncanny ability to infuse highly manipulated, digitally crafted music with a warmth quite rare in pop and almost unheard of in music so technologically progressive. In the studio, Frou Frou achieved unique sounding beats for Heap's luscious voice via more-than-would-be-expected acoustic and natural instruments. These actual instrumental performances were recorded first, then heavily manipulated in an editing stage, giving the duo their own process and thus, their own sound. This approach made their music lush, dynamic, and more earthy when compared to typical electronic/dance and canned pop.
Tuesday, January 23, 2007
Eagles Inching Toward First New Album Since 1979
filed under: news, north american, rock
August 02, 2006. by Gary Graff, Detroit
The Eagles hope to take flight with a new album -- sooner rather than later, according to guitarist Joe Walsh. "I would say the first half of next year we should be able to put out a new Eagles album," he tells Billboard.com, adding with a laugh that "it'll be nice to have some new songs to play, 'cause we're sick of the old ones!"
The Eagles have been talking about a new studio album, their first since 1979's "The Long Run," since launching the tongue-in-cheek series of Farewell tours in 2003. The recording sessions so far, according to Walsh, have yielded "pretty much basic tracks for people to take and write words to. We've got a bunch of stuff floating around."
But after touring Europe earlier in the summer, Walsh says there's a new resolve to start turning those ideas into finished songs. "We decided we better get some new product out, some new songs," he says. "We could rest on our laurels and play our catalog forever, but we're not a nostalgia band. We've got another record in us. We don't have a mean ol' record company to tell us we're done anymore, so we're taking too long. We really need to just police ourselves and get in there and get it finished and put it out."
Two new songs, Walsh's "One Day at a Time" and Glenn Frey's "No More Cloudy Days," appeared on last year's live DVD "Farewell 1 Tour -- Live From Melbourne," which the band released via its own Eagles Recording Co. imprint.
First up for Walsh, however, is his first tour with the James Gang in 35 years. As previously reported, the outing begins Aug. 10 in Sturgis, N.D. Walsh won't rule out the possibility of recording new music with the trio too, but he quickly adds, "I really don't know what to expect. I just don't see a whole lot of improvising rock'n'roll bands out there now, so I think maybe there's a little window here for a spontaneous group like us. I'm excited to see where it goes."
Upcoming releases '07 - the more comprehensive list
filed under: european, miscellaneous, north american, release info
On second thought I’ll just highlight those that interest me, and put up the whole list for your scrutiny. I am sure there are plenty others that you’d be happy to see (and tell us about it). =d. Source: Metacritic.
6 Jan Tuesday | |
The Autumn Defense | The Autumn Defense |
23 Jan Tuesday | |
Arbouretum | Rites Of Unconvering |
The Brokedown | I Can't Go On, I'll Go On |
Clinic | Visitations |
Deerhoof | Friend |
Julie Doiron | Woke Myself Up |
The Earlies | The Enemy Chorus |
Exploding Star Orchestra | We Are All From Somewhere Else |
Fujiya & Miyagi | Transparent Things US release; already out in |
Ghost | In Stormy Nights |
The Good, The Bad & The Queen | The Good, The Bad & The Queen |
Kristin Hersh | Learn To Sing Like A Star |
David Kilgour | The Far Now |
Menomena | Friend And Foe |
Of | Hissing Fauna, Are You the Destroyer? |
The Shins | Wincing The Night Away |
Six Parts Seven | Casually Smashed To Pieces |
30 Jan Tuesday | |
Lily Allen | Alright, Still US release; already out in |
Bracken [Hood's Chris Adams] | We Know About The Need |
Busdriver | RoadKillOvercoat |
Clap Your Hands Say Yeah | Some Loud Thunder |
Hella | There's No |
Norah Jones | Not Too Late |
Skinny Puppy | Mythmaker |
Youth Group | Casino Twilight Dogs |
6 Feb Tuesday | |
Aereogramme | My Heart Has A Wish That You Would Not Go |
Apostle Of Hustle | National Anthem Of Nowhere |
Apples In Stereo | New Magnetic Wonder |
Bloc Party | A Weekend In The City |
Fall Out Boy | Infinity On High |
Rickie Lee Jones | The Sermon On |
L | Dip |
Sondre Lerche | Phantom Punch |
Loney, Dear | Loney, Noir |
Yoko Ono | Yes, I'm A Witch |
Jesse Sykes & The Sweet Hereafter | Like, Love, Lust & The Open Halls Of The Soul |
13 Feb Tuesday | |
High Llamas | Can Cladders |
Lucinda Williams | West |
20 Feb Tuesday | |
Calla | Strength In Numbers |
Bobby Conn | King For A Day |
Jill Cunniff [of Luscious | |
Dolorean | You Can't Win |
Explosions In The Sky | All Of A Sudden I Miss Everyone |
Field Music | Tones Of Town |
Magic Numbers | Those The Brokes US release; already out in |
Trans Am | Sex Change |
27 Feb Tuesday | |
Dean [Wareham] & Britta [Phillips] | Back Numbers |
6 Mar Tuesday | |
!!! | Myth Takes |
Air | Pocket Symphony |
Arcade Fire | Neon Bible |
Ry Cooder | My Name Is Buddy |
El-P | I'll Sleep When You're Dead |
Guns N' Roses | Chinese Democracy source |
Albert Hammond Jr. | Yours To Keep US release; already out in UK |
Gruff Rhys | Candylion US release; already out in UK |
RJD2 | The Third Hand |
Sevendust | Alpha |
Son Volt | The Search |
Maria Taylor | Lynn Teeter Flower |
Wheat | Everyday I Said A Prayer For Kathy And Made A One Inch Square |
Wolf & Cub | Vessels |
13 Mar Tuesday | |
The Fall | Reformation Post T.L.C. |
20 Mar Tuesday | |
Adult. | Why Bother? |
Andrew Bird | Armchair Apocrypha |
Good Charlotte | Good Morning Revival |
Kieran Hebden & Steve Reid | Tongues |
I'm From Barcelona | Let Me Introduce My Friends US release; already out in Europe |
LCD Soundsystem | Sound Of Silver |
Ted Leo & The Pharmacists | Living With The Living |
Low | Drums And Guns |
Willy Mason | If The Ocean Gets Rough |
Panda Bear | Person Pitch |
The Ponys | Turn The Lights Out |
Joss Stone | Introducing Joss Stone |
The Stooges | The Weirdness |
Tracey Thorn | Out Of The Woods |
The Willowz | Chautauqua |
The Zincs | Black Pompadour |
27 Mar Tuesday | |
Kaiser Chiefs | Yours Truly, Angry Mob UK: 26 Feb |
Grant-Lee Phillips | Strangelet |
3 Apr Tuesday | |
Fountains Of Wayne | Traffic And Weather |
Kings Of Leon | Because Of The Times |
Maximo Park | Our Earthly Pleasures |
Partridge-Andrews-Barker Project | Monstrance |
10 Apr Tuesday | |
Blonde Redhead | 23 |
Bright Eyes | Cassadaga |
Grinderman [new Nick Cave band] | Grinderman UK: 5 Mar |
Love Of Diagrams | Mosaic |
17 Apr Tuesday | |
Joseph Arthur | Let's Just Be |
Bill Callahan [of Smog] | Woke On A Whaleheart |
24 Apr Tuesday | |
Mando Diao | Ode To Ochrasy |
1 May Tuesday | |
Dungen | [Title TBA] |
8 May Tuesday | |
Mystery Jets | Zoo Time |
Dolores O'Riordan [of The Cranberries] | Are You Listening? |
15 May Tuesday | |
Satellite Party [new Perry Farrell group] | Ultra Payloaded |
Wilco | Sky Blue Sky |
Anticipated Future Releases | ||
Note: If an artist appears multiple times, that means multiple albums by that artist are forthcoming. | ||
50 Cent | Before I Self Destruct | Spring 2007 |
Aerosmith | [Title TBA] | Spring 2007 |
Aesop Rock | None Shall Pass | 2007 |
Akron/Family | [Title TBA] | Spring 2007 |
The Aliens [ex-Beta Band members] | [Title TBA] | February 2007 |
Alkaline Trio | [Title TBA] | Summer 2007 |
Ambulance LTD | [Title TBA] | 2007 |
Angels Of Light | We Are Him | April 2007 |
Animal Collective | [Title TBA] | Fall 2007 |
Annie | [Title TBA] | 2007 |
Architecture In Helsinki | [Title TBA] | Spring 2007 |
India.Arie | Testimony: Vol. 2, Love & Politics | 2007 |
Art Brut | [Title TBA] | 2007 |
Joseph Arthur | Abwoon | Late 2007 |
Ash | [Title TBA] | Summer 2007 |
Auf Der Maur | [Title TBA] | 2007 |
The B-52s | [Title TBA] | 2007 |
Babyshambles | [Title TBA] | Late 2007 |
Bad Brains | [Title TBA] | Spring 2007 |
The Bees | Octopus | 2007 |
Beirut | [Title TBA] | Fall 2007 |
Big Boi | [Title TBA] | 2007 |
Bjork | [Title TBA] | Spring 2007 |
Black Eyed Peas | [Title TBA] | Late 2007 |
Black Rebel Motorcycle Club | [Title TBA] | Feb/Mar 2007 |
Blur | [Title TBA] | 2007 |
The Bravery | The Sun And The Moon | Early 2007 |
The Breeders | [Title TBA] | Spring 2007 |
British Sea Power | [Title TBA] | Summer 2007 |
Ian Brown | The World Is Yours | Late 2007 |
Built To Spill | [Title TBA] | 2007 |
Isobel Campbell | [Title TBA] | 2007 |
Cannibal Ox | [Title TBA] | 2007 |
JC Chasez | [Title TBA] | March 2007 |
Clem Snide | Lose Big | 2007 |
The Clientele | God Save The Clientele | April 2007 |
Coldplay | [Title TBA] | Late 2007 |
Common | Finding Forever | 2007 |
The Concretes | [Title TBA] | Spring 2007 |
The Coral | [Title TBA] | 2007 |
Cornelius | Sensuous | 2007 |
Chris Cornell | [Title TBA] | 2007 |
The Cure | [Title TBA] | May 2007 |
Cursive | [Title TBA] | Fall 2007 |
Britt Daniel [of Spoon] | [Title TBA] | 2007 |
Dido | [Title TBA] | 2007 |
Dinosaur Jr. | [Title TBA] | Spring 2007 |
Dntel | Dumb Luck | April 2007 |
The Donnas | [Title TBA] | 2007 |
Doves | [Title TBA] | 2007 |
Duran Duran | [Title TBA] | May 2007 |
The Eagles | [Title TBA] | 2007 source |
Earlimart | [Title TBA] | 2007 |
Editors | [Title TBA] | Spring 2007 |
Eisley | [Title TBA] | 2007 |
Elbow | [Title TBA] | Spring 2007 |
Electrelane | No Shouts, No Calls | April 2007 |
Feist | [Title TBA] | Spring 2007 |
Bryan Ferry | Dylanesque | March 2007 |
Lupe Fiasco | The Cool | 2007 |
Final Fantasy | Heartland | 2007 |
Neil Finn | [Title TBA] | 2007 |
Fridge | [Title TBA] | May 2007 |
Fugees | [Title TBA] | ?? 2007[delayed] |
Gang Of Four | [Title TBA] | 2007 source |
Gnarls Barkley | [Title TBA] | 2007 |
The Go! Team | [Title TBA] | August 2007 |
Jose Gonzalez | [Title TBA] | 2007 |
Adam Green | [Title TBA] | 2007 |
Hard-Fi | [Title TBA] | Summer 2007 |
PJ Harvey | [Title TBA] | 2007 |
Hot Chip | [Title TBA] | 2007 |
Hot Hot Heat | [Title TBA] | Spring 2007 |
Idlewild | Make Another World | February 2007 |
Interpol | [Title TBA] | 2007 |
Iron & Wine | [Title TBA] | August 2007 |
Islands | [Title TBA] | 2007 |
Michael Jackson | [Title TBA] | Late 2007 |
Jimmy Eat World | [Title TBA] | Summer 2007 |
Damien Jurado | [Title TBA] | Spring 2007 |
Talib Kweli | Ear Drum | Early 2007 |
Ladytron | [Title TBA] | 2007 |
Avril Lavigne | The Best Dam Thing | April 2007 |
Annie Lennox | [Title TBA] | 2007 |
Les Savy Fav | [Title TBA] | March 2007 |
Jamie Lidell | [Title TBA] | 2007 |
Linkin Park | [Title TBA] | 2007 |
LL Cool J | Todd Smith, Part 2: Back To Cool | 2007 |
Courtney Love | [Title TBA] | 2007 |
Madvillain | [Title TBA] | 2007 |
Magnetic Fields | [Title TBA] | Spring 2007 |
Maroon 5 | [Title TBA] | 2007 |
Massive Attack | Weather Underground | 2007 |
Mercury Rev | [Title TBA] | 2007 |
Metallica | [Title TBA] | 2007 |
Metric | [Title TBA] | 2007 |
MF Doom & Ghostface | Swift & Changeable | February 2007 |
M.I.A. | [Title TBA] | 2007 |
Midnight Movies | Lion The Girl | March 2007 |
Moby | [Title TBA] | Fall 2007 |
Modest Mouse | We Were Dead Before The Ship Even Sank | March 2007 |
Mandy Moore | [Title TBA] | April 2007 |
Travis Morrison | [Title TBA] | Spring 2007 |
Bob Mould | [Title TBA] | June 2007 |
The National | [Title TBA] | Spring/Summer 2007 |
N.E.R.D. | [Title TBA] | 2007 |
New Pornographers | [Title TBA] | Summer 2007 |
Nine Inch Nails | Year Zero | April 2007 |
Oakley Hall | [Title TBA] | August 2007 |
Oasis | [Title TBA] | 2007-2008 |
Okkervil River | [Title TBA] | 2007 |
Panic! At The Disco | [Title TBA] | 2007 |
Pinback | Autumn Of The Seraphs | Summer 2007 |
The Pixies | [Title TBA] | 2007 source |
Robert Pollard | Silverfish Trivia | Fall 2007 |
Polyphonic Spree | The Fragile Army | 2007 |
Portishead | [Title TBA] | 2007 |
The Postal Service | [Title TBA] | 2007 |
Prefuse 73 | [Title TBA] | 2007 |
The Prodigy | [Title TBA] | 2007 |
Queens Of The Stone Age | [Title TBA] | 2007 |
Radiohead | [Title TBA] | 2007 |
The Rakes | [Title TBA] | 2007 |
R.E.M. | [Title TBA] | 2007 |
Rilo Kiley | [Title TBA] | Spring 2007 |
Kelly Rowland | My Story: Kelly Rowland | Early 2007 |
Roxy Music [original lineup including Brian Eno] | [Title TBA] | 2007 |
Rush | [Title TBA] | 2007 |
Savath & Savalas | [Title TBA] | 2007 |
Ulrich Schnauss | [Title TBA] | 2007 |
The Sea And Cake | [Title TBA] | May 2007 |
Shellac | Excellent Italian Greyhound | 2007 |
Sigur Ros | [Title TBA] | 2007-2008 |
Smashing Pumpkins | [Title TBA] | May 2007 |
Britney Spears | [Title TBA] | 2007 |
Spiritualized | [Title TBA] | 2007 |
Spoon | Stroke Their Brains | Spring 2007 |
Stars | [Title TBA] | 2007 |
Stereolab | [Title TBA] | 2007 |
Stereophonics | [Title TBA] | 2007 |
Super Furry Animals | [Title TBA] | 2007 |
Tegan & Sara | [Title TBA] | 2007 |
Three 6 Mafia | [Title TBA] | 2007 |
The Thrills | [Title TBA] | Spring 2007 |
Martina Topley-Bird | [Title TBA] | Early 2007 |
Tortoise | [Title TBA] | 2007 |
Travis | Open | Spring 2007 |
U2 | [Title TBA] | 2007 |
Underworld | [Title TBA] | 2007 |
UNKLE | War Stories | Summer 2007 |
John Vanderslice | [Title TBA] | 2007 |
Suzanne Vega | [Title TBA] | Spring 2007 |
Velvet Revolver | [Title TBA] | Spring 2007 |
The Vines | [Title TBA] | Late 2007 |
Rufus Wainwright | Release The Stars | May 2007 |
Chris Walla | It's Unsustainable | Fall 2007 |
Ween | [Title TBA] | 2007 |
Gillian Welch | [Title TBA] | 2007 |
Kanye West | Graduation | Late 2007 |
Andrew WK | [Title TBA] | 2007 |
Patrick Wolf | The Magic Position | 2007 |
Wolf Parade | [Title TBA] | Summer/Fall 2007 |
The Wrens | [Title TBA] | Late 2007 |
Wu-Tang Clan | [Title TBA] | 2007 |