KOKIA: The Voice (2008)

Today I feel it in my fingers to type this review on the latest album by Kokia: The Voice.

A big thank you to Zhu for introducing me to this amazing artist.
Her voice is so versatile and soul rendering and very capable at traversing various different genres. One moment full bodied and strong like that of a survivor, the next moment sweet, and innocent like that of a child.

The songs in this album are as vesatile as she is.

A couple of wonderful ballads in the compilation like Everlasting and Gomen ne, and some unorthodox pieces such as Follow the Nightingale and Song of Pocchong where I believe she came up with her own words for lyrics. Word on the web has been that if you manage to catch these words and write them backwards they are actual japanese words in Romanji. However, there has yet to be substantial evidence for that.

The lyrics to her songs are as hauntingly striking, particularly those of Everlasting which never fails to put me in a pensive mood. Everlasting is to me a stellar demonstration of her operatic prowess. The first time I heard it I thought it was actually Sarah Brightman. The timbre, the high notes even the song structure are similar to that of Brightman's. Though I must say that I think Kokia's voice is less jarring on the nerves and more fullsome and heart rendering.

Every moment I can feel you.
Wish You feel the same way.
If I show my secret garden you can touch to eternity.
It fill me in with scent rose.
everlasting memory.
Glow my life, you give me a heart to love.
What I feel please stay forever.

Someday I know it may fade away
Still we ask for forever.
find our sign in this music.
everlastig memory.
only my love, truly given eternal life.
what I hold, keep breathing forever.

Love, where to come.
Love, ever lasting.
The world is Saturated with light of love.

Glow my life, you give me a heart to love.
What I feel please stay forever.
only my love, truly given eternal life.
what I hold, keep breathing forever.

Someday I know it may fade away
Still we ask for forever.

~Everlasting - Kokia: The Voice ~

Nani mo kamo hoshi ni natte is like a balladic J-poppish song with it's lyrics belting out angst and hope through her melancholic velvety tones. Hope it does make it to the top of the charts. Perhaps if the winds of change blow and render those mindless J-pop screamers mute. I am just kidding of course. I too have my favourite J-poppers too. The following is an english translation of the lyrics of the songs. From what I understand of nihon go it appears to looks quite accurate.

Hatred, conflict, suffering, even if we hurt each other

If we look at the same sky after we were born again,

It will probably be only a blink of a bright moment

Where, instead of people being sacrified, justice that goes on with happiness

Alone, a life on a single person, if that life belonged to the one you love

Please imagine, as though it's your own pain

Everything turns into a star and passed on to the future

Everyone is someone's one day only

Justified events, that adults had sought reasons and let them pass

Though i was there, looking, the moment i turned a blind eye, i went down

Please imagine, as though it's your own pain

To regret every time you lose something, and shed tears for my short comings

The tears shed, as many as the number of stars, trying not waste them

Only an emptiness cuts the sky, and tears my heart

When everything turns into a star, would it all be forgotten?

Please look at the person beside you

Coincidence that you cannot simply call them a stranger

It's too far into the time to smile back anymore

I don't need love that seeks something in return

Please imagine, as though it's your own pain

Everything turns into a star and passed on to the future

Everyone is someone's one and only

~Nanimo kamo ga hoshi ni natte - Kokia: The Voice ~

Odayaka na shizukesa is a truly interesting piece. Utilising intersting interplay between voice, instrumentation and synchronization. Kokia's masterful utilisation of her elements makes her appear to mimic Tori Amos with her piano playing and powerful voice. The calmess of the quiet is truely appreciated through her use of velvety tones on the saxaphone, and the plaintiveness enhanced with the gradual build up of instrumentation with the final die cast with the use of a string orchestra and other worldly vocalization and all this gradually decreases in numbers and the thickness of the music thins out towards the end to a plaintive long held note and a quiet plea for quietness. A true musical experience.

The first song of the album, Gomen ne seals the deal from the start. Each time she hits the chorus it makes you want to tell her that she's forgiven for whatever she is apologizing for. Every time you hear the words Gomen ne you can feel the sting of regret and pain. It's a feeling one and all can bear witness to whenever there's something or someone for which ( or whom ) we feel regret for and the pangs that come along with it.

It's strange that Kokia would choose to open her album with an apology. An act of humility or is there a deeper meaning to this album. For what it's worth, there is no need for apology or humility for this album. Just listening to this work of art is explanation enough.

(Edit: download link here. =p)